Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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unknow artist
A Wooded landscape with figures bathing and resting on the bank of a river

ID: 27504

unknow artist A Wooded landscape with figures bathing and resting on the bank of a river
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unknow artist A Wooded landscape with figures bathing and resting on the bank of a river


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unknow artist

  Related Paintings of unknow artist :. | Arab or Arabic people and life. Orientalism oil paintings 609 | ulrika eleonora | Lady Affixing pennant to a knight-s spear | detta ar mayet saningens och rattvisans gudinna i struts fjader och med helt modern ogonnakeup | With the labaro guadalupano and the espado |
Related Artists:
Marsal, Mariano Fortuny y
Spanish, 1838-1874 Painter and etcher. His work drew both on earlier Spanish art, especially the paintings and etchings of Goya, and on contemporary foreign works, notably the paintings of the Italian Macchiaioli and those of the French artist Ernest Meissonier.
Lycett, Joseph
1774 - 1825
WERTINGER, Hans
German painter (b. 1465, Landshut, d. 1533, Landshut) German painter and woodcutter. An artist as ambitious as Lucas Cranach I, he became one of Germany's first accredited court painters, working for the Dukes of Landshut in the triangular area defined by Ingolstadt, Straubing and Munich. The son of a functionary working for the Dukes, he was probably first taught by a certain Sigmund Gleism?ller (c. 1449-1511). Hans Mair (Mair von Landshut), who had come from Augsburg and had settled in Landshut, seems to have prompted him to work as a journeyman in Augsburg. His acquisition of citizen's rights in Landshut in 1491 suggests he was a master by that date. Mair seemingly procured him a series of commissions between 1497 and 1499 from Prince Bishop Philipp of Freising (1480-1541). The only work to survive from this period, however, is the large panel of the Life of St Sigismund (1498) in Freising Cathedral. It retains the deep tones associated with Augsburg painting, and its shape, with a pointed arch at the top, must also have been developed in Augsburg. As in Mair's work, several scenes are assembled in the arch and the side sections, creating a cramped Late Gothic framing architecture,






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